Unlike Marvel and DC, it is far to early to say whether this particular Universe will prosper, but it does at least have good ingredients. Rather than follow DC’s error of sticking everything in one film (and perhaps learning from their own mistake in that regard in Van Helsing), Universal have instead announced a slate of stand-alone films, with the promise of connective tissue and the possibility of a future mash-up á là The Avengers if they each work in their own right. DARK UNIVERSEĪs mentioned above, Universal are looking to make a strong start on their own Expanded Universe.
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The Flash has a great reputation from the solid TV series which should help it find a big screen audience, but it still seems to be mired in developmental problems.īatman seems to be battling against the reluctance of its star, who looks for all the world like a man trying to extricate himself from a role he wishes he had never taken on – which can only bode terribly for future films, potentially populated by a lead actor who is there by nothing more than contractual obligation. Wonder Woman picked up really strong reviews and has landed a terrific opening weekend at the worldwide box office and although the change of director for Justice League has come in the most tragic and undesirable of circumstances, it will be interesting to see what Joss Whedon brings tonally to his work on the film. Suicide Squad was a mess and BvS genuinely seemed to collapse under its own weight.
Man of Steel was a genuinely strong entry, albeit quite muted compared to Richard Donner’s efforts, but as Nolan’s iteration of Batman has given way to Snyder’s, something has been lost in the descent towards ever more gritty and somber entries. Whereas Marvel took their time, DC are now in a real hurry and the cracks show. Despite having indisputable icons in their lockup in the shape of Superman and Batman, they have given Marvel an almost decade-long head start, resulting in the clumsy shoe-horning of Aquaman, Cyborg and Flash into Batman v Superman. DCĭC are playing catch up to Marvel, both in volume and quality. With Spider-Man (Home)coming back into the fold this year and esoteric entries like Captain Marvel and Black Panther still to come, it is easy to feel reassured that even as gargantuan a behemoth as Infinity War is in safe hands and destined to be another multi-billion dollar success. Whether it is the “true” mash-ups of the Avengers films, or dropping cameos into Thor: The Dark World or Ant-Man, Marvel keeps the hits coming and every time it looks like they’ve bitten off more than they can chew, they churn out another crowd-pleasing hit.
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Starting with Iron Man and building from there with post-credit stings and then cross-overs, Marvel have built a movie universe all of their own that made Disney’s purchase of Marvel Studios for $4bn feel like an absolute steal. Indeed it could be argued that it is the trickier properties that Marvel are developing to the greatest success. Even with less well known (and potentially risky) properties like Ant-Man, Guardians of the Galaxy and Doctor Strange, Marvel keep churning out hit after hit, keeping critics and audiences almost uniformly satisfied. Well established and the current gold standard for movie Expanded Universes, Marvel have shown everyone else how it should be done. Marvel and DC have pretty solidly established theirs and it seems as though talk of cross-overs and expanded universes crop up on a weekly basis. It makes sense for Universal to set out its stall early on – there is a significant built-in audience for these characters and although Van Helsing did a sensationally ham-fisted job of it, the scope for intelligent and interesting overlap and cross-pollination is high.Īlthough we cannot be entirely sure whether our own universe is indeed expanding, the various movie universes out there surely are. Javier Bardem looks like he’d make a great Frankenstein’s monster and at least with Johnny Depp’s Invisible Man we’ll be more likely to be spared too much over-acted mugging.
They’ve got the rights to most of the iconic old-school horror properties out there and this rather natty video shows just how many properties that incorporates.Īssuming that the Tom Cruise-headlining The Mummy reboot succeeds (and early indications are not good…), Universal are already developing the next few entries, with Russell Crowe’s Dr Jekyll possibly proving to be part of the glue that holds them all together. They’ve settled on “The Dark Universe” – Universal’s name for its new Expanded Universe of inter-connected films.